Category:

Events

April 2017 marks fifty years since the
Museum received its charter from the New
York State Department of Education Board of
Regents. Over that fifty years the Museum has
grown dramatically, collecting artifacts and
works of art documenting the rise of New York
as a port city.; developing and implementing
innovative and award-winning programming;
mounting exhibitions; and preserving a fleet of
historic ships on the East River. Despite three
massive setbacks: the 9/11 attacks, the Great
Recession of 2008, and the floodwaters of hurri-
cane Sandy, the museum is growing once again.
With support from New York City and a dedi-
cated group of staff, volunteers, members and
friends, the Seaport Museum remains an edu-
cational and cultural gem in lower Manhattan.
The Seaport Museum’s 50th anniversary will
be marked throughout the year with the open-
ing of new exhibitions, including Millions:
Migrants and Millionaires aboard the Great
Liners, 1900-1914 (opening June 2017), artistic
and musical performances, lectures and book
talks, walking tours, and a formal 50th anni-
versary cocktail reception aboard the 1885 ship
Wavertree in September. #

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Island Historical Tour (North)

Thursday, September 7, 2017

6:00 p.m.7:30 p.m.

This event repeats on the 1st Thursday of every 2 months between 5/4/2017 and 9/7/2017.

Did you know that the Randall’s Island was once three separate land masses? The island has a rich and unique history. Come learn more about the influential people, the bridges, and the landscape changes that transformed the Randall’s Island into the beautiful park it is today!

Location

Randall’s Island Connector in Randall’s Island Park
Manhattan

Directions to this location

Cost

Free

Event Organizer

Randall’s Island

Contact Number

(212) 860-1899

Contact Email

info@randallsisland.org

Categories

Education, Nature, History, Tours, Waterfront

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Date

Sep 6, 2017 • 7:00 PM – 9:00 PM

Cost

FREE and OPEN TO THE PUBLIC!

Location

Gallery at BRIC House

647 Fulton Street
(Enter on Rockwell Place)
Brooklyn, NY 11217

United States
Get Directions

Sergio Purtell, courtesy of the artist and Art 3 Gallery, Brooklyn

JOIN US FOR THE OPENING RECEPTION!

EXHIBITION ON VIEW: September 7 – October 29, 2017

CURATED BY: Elizabeth Ferrer

 

Brooklyn Photographs brings together the work of 11 photographers who have turned their lens on the Brooklyn experience from the late 1960s to the present.  Each of these photographers will present a body of work on a specific theme – childhood in Williamsburg in the 1960s, Halloween in the 1970s, or Bushwick street life in the 1980s, to name a few.  More recent work from the last decade will explore such subjects as the rapidly gentrifying post-industrial landscape, Brooklyn artists, and the microcosm of street life visible near BRIC’s facility at the intersection of Fulton and Flatbush.  In sum, the exhibition will illuminate the important role that photography has had in preserving aspects of Brooklyn’s neighborhoods and traditions, and in documenting the extraordinary cultural and social diversity that is a hallmark of the borough.  It will also reflect the borough as a site of continual change. Neighborhoods transform and new populations emerge, while the essence of Brooklyn’s humanity remains. The exhibition will be accompanied by a catalogue and by public programs.

Photographers include: Yolanda Andrade, Stefanie Apple, Nelson Bakerman, Leigh Davis, Max Kozloff, George Malave, Meryl Meisler, Patrick D. Pagnano, Sergio Purtell, Larry Racioppo, and Russell Frederick .

READ ABOUT THE EXHIBITION IN THE NEW YORK TIMES LENS BLOG >>

Special thanks to Duggal Visual Solutions, Griffin Editions, and Pranayama Art for their services in relation to this exhibition.

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A facebook posting from HB West:

Did you know: In 1968, Twyla Tharp created a dance in the gymnasium of Wagner College? It was called “Generation” and featured a young Sara Rudner and Ms. Tharp herself, among the cast. Lighting by Jennifer Tipton. #StatenIslandDanceHistory #StatenIslandDanceProject #oralhistories

Generation consists of five simultaneous solos, each dancer in her own separate orbit. The dynamic ebbs and wanes as the movement changes tempo and quality; actions build until the dancers are moving so fast or so slow that the integrity of the original phrases disintegrates.
twylatharp.org

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Secret Speakeasy
Prohibition theme!
16mm Short Films, Antiques & Music!
in Soho

Sun Sept 17th
6pm – 10pm All Ages

See 16mm vintage short films
Hear original vinyl records
Enjoy actual prohibition antiques
you can handle and get demonstrated!
Drink and enjoy refreshments!

There will be “nurses” and “doctors” since alcohol is prohibited…unless you have an ailment and require a prescription from the early 1900’s. Choose your ailment
headache, rheumatism, bedwetting or hysteria!

In the spirit of a true Speakeasy
Anything can change so…
Please check this website before leaving.

http://secretspeakeasy.com/

The Museum of Interesting Things
takes over a Soho loft for a special

16mm movie & music fest & party!
Drinks, music & beautiful visuals!
We will bring items from our vast collection of photography / film / prohibition & music items
All eras of history some over 100 years old!
See Old 16mm circus, animations, vaudeville and more

The Museum has a show featuring
Original Rare 16mm short films from the
1940’s, 1950’s and 1960’s
and you get to pick the films allll night!

Early 1900’s and some 1800’s
Stereoviews and Mutoscope cards!

The Loft at Prince Street 177 Prince Street
3rd Floor $10 to help the Museum 🙂
Between Thompson & Sullivan street
in Soho NYC 212 274 8757

This is a loungie place….so please let us know
If you have special needs and require seating.

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https://www.facebook.com/TheLostVillage2017/

I came by this information in a paper insert that was in my program for the opening reception of “Storefronts: Oral History & Photo Exhibition”:
“The Lost Village” is a stunning indictment of the corporate take-over of Greenwich Village…made possible by complicit…politicians…the bohemian, artistic world which gave the area its colorful, distinctive flavor has fled…former mom and pop shops closed. The Village is a microcosm of what is happening across the United States where the disparity of income between rich and poor is now higher than at any time in our history. This extraordinary documentary raises the alarm and…offers a way to counter such take-overs through citizen activism…A must see.” James Cass Rogers
Two upcoming Screenings-in what’s left of the Village:
SEP 7
Thu 7 PM · Jefferson Market Library · New York
SEP 10
Sun 7 PM · Judson Memorial Church – New York City · New York
Film

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Howl Happening Opening Night Sept. 10th

Sep. 10 – Oct. 06, 2017
56 Bleecker Gallery and Late 80s New York
Presented by Some Serious Business
and Howl! Happening: An Arturo Vega Project

Lust of glory pricked their hearts up, dread of shame
Struck them tame;
And that glory and that shame alike, the gold
Bought and sold.
-Robert Browning, Love Among The Ruins

Let’s also say that change is neither good or bad. It simply is. It can be greeted with terror or joy. A tantrum that says, ‘I want it the way it was’ or a dance that says, ‘Look, it’s something new.’
–Don Draper, Mad Men (AMC)

Some Serious Business and Howl! Happening are pleased to present Love Among The Ruins, co-curated by Susan Martin, founding director of Some Serious Business; Bill Stelling, 56 Bleecker gallery director and founder of the groundbreaking FUN Gallery with Patti Astor; and artist Maynard Monrow. All three curators were close friends of Dean Rolston, co-owner of 56 Bleecker who serves as inspiration for the exhibition.

Artists in this retrospective include:
Austė, Suzanne Anker, Donald Baechler, Sylvie Ball, Jean-Michel Basquiat, Julian Beck, Bill Beckley, Mike Berg, John Bowman, Jeff Carpenter, Stefano Castronovo, George Condo, Arch Connelly, Bruce Conner, Scott Covert, Ingrid Dinter, Arnold Fern, Vincent Gallo, Graham Gillmore, Allen Ginsberg, Nan Goldin, Eric Goode, Robert Hawkins, Roberto Juarez, Scott Kilgour, Ruth Kligman, Norman Korpi, Joyce Kozloff, Tseng Kwong Chi, David LaChapelle, Greer Lankton, Claire Lieberman, Daniel Mahoney, Frank Majore, Fidel Márquez, Sylvia Martins, McDermott & McGough, Taylor Mead, Nicholas Mouffarrege, David Nelson, Felix Pène du Bois, Jeff Perrone, Elizabeth Peyton, William Rand, Elaine Reicheck, Rene Ricard, Bill Rice, Alexis Rockman, Nicolas Rule, Vittorio Scarpati, Bruno Schmidt, Jo Shane, Mark Sink, Stephen Sprouse, Ken Tisa, Noel Vietor, William Wegman, Dondi White, Martin Wong, Thomas Woodruff, and Jimmy Wright.

56 Bleecker Gallery held a unique position in the late 80’s art world. Part serious gallery, part happening, the space was a scene that reflected the explosive intersection of art, performance, music, fashion and the incredible nightlife culture of that era.

Featuring many of the most cutting edge artists of the time, such as Stephen Sprouse and David LaChapelle, it also presented rigorously serious shows of artists like Bruce Conner and Elaine Reichek. The space was a forum for nightclub impresario Eric Goode to produce an installation that was a window into his future endeavors. Taylor Mead directed the gallery’s historic performance of Jackie Curtis’ Glamour, Glory and Gold featuring legendary actors Ondine, John Heys, Penny Arcade, Harry Koutoukas and Margot Howard-Howard.

56 Bleecker was a ‘scene’ as much as a venue for art. Openings featured guests as diverse as Stavros Niarchos, Richard Gere, Lauren Hutton, Fab 5 Freddy and Henry Geldzahler. Rene Ricard held court in the famous ‘Tin Room,’ anointing those in favor and banishing his enemies to NoHo Star.

While it was a time of enormous creativity, it was also one of deep sorrow. The exhibition will touch upon the impact of AIDS on our community.

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In their special section “Summer Fun in Staten Island,” published on June 28, 2017, the New York Daily News said that our monthly Sea Shanty Sessions, led by the Folk Music Society of New York, offer “…a great opportunity to experience authentic, time-honored maritime songs in an appropriately historic setting.” The next session is this Sunday, August 20, from 2 to 5 PM. This even is family friendly and free, but we always appreciate your donations. #NYCulture

Image may contain: 8 people, people smiling

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Capturing the Lower East Side’s Disappearing Mom-and-Pop Storefronts, a photography and oral history exhibition, opens tonight, 6pm, at Theater For The New City Gallery, 155 1st Ave [10th]. It’s curated by James and Karla Murray, the husband-and-wife photography team that have documented so many mom-and pop-storefronts, compiled in their books Store Front: The Disappearing Face of New York and its followup.

The show is intended to raise awareness of the essential NYC character that these businesses embody, threatened by skyrocketing rents. You’ll see the work of 30 photographers who participated in two workshops in April and June with the Murrays focusing on neighborhood stores. Since the workshops took place, two of the stores photographed by participants have closed.

The event is free and there will be complimentary wine and beer, as well as small bites, provided by local indie merchants, of course.…

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From Spoiled NYC:

The Sound of Silence: A Tribute To Webster Hall

Subscribe to spoiled NYC’s official newsletter, The Stoop, for the best news, eats, drinks, places to go, and things to do.

For 131 years, Webster Hall has hosted some of the world’s biggest musical acts. Today it closes its doors– at least until it reopens under new ownership, sold in a deal worth an estimated $35 million.

The space, with a maximum capacity of 2,500 people, served as a nightclub, concert venue, corporate events space, and recording studio.

It will reopen in either 2019 or 2020 as the newly christened Spectrum Hall, its space restricted to concerts and sporting events.

I received the phone call in early May. A friend of mine told me management had served all Webster Hall employees with termination notices.

True, it had been a couple of years since I’d set foot in the venue, but a part of me heaved a pained sigh for yet another victim of the city’s changing landscape, for the many dances I’d shared with fellow miscreants who streamed into the place, their wrists ablaze with the shades of kandi bracelets and multi-colored fluffies.

I remembered the faces of the girls I kissed as vividly as I recalled those of the men I kissed– or shyly didn’t kiss. I recoiled at the memory of the crappy wage I made at the time, of the overpriced drinks, the even more overpriced water bottles, a precious commodity in a space that scorched with summer heat even in midwinter.

The people I met there ran the gamut, from frat bros with cockeyed grins, to scene kids with more gumption than me, roadsters who surveyed groups of three or more, code switching and peddling ketamine all the while.

Mirrored behavior existed on the far more spacious dance floor at Amazura Concert Hall in Queens or the even more cramped Electric Warehouse in Brooklyn, and the East Village had long given way to millennial kink, this host of music, bodies, motion, and silent exchanges in bathroom stalls.

“Webster had that old-time New York grunge that made you feel like you were part of the 19th century, in the sense that “fun” could easily involve trying to locate your stolen purse/phone,” says Michael Yates, formerly of Harlem and now living in Los Angeles.

“I’ll miss it. I’m sure the new version of the inside will look fantastic and modern and have a pleasant aroma. Old style Webster Hall was my first immersion into NYC’s EDM scene at the time. It was a place that was magical in the dark, probably because it would look awful when illuminated by sunlight.”

websterhall Having our friend @Halsey visit for an intimate show in the The Studio at Webster Hall tonight before we close for renovations in August. Stay tuned for more surprise shows leading up till then!

The venue, Yates continues, is a “perfect example” of New York City’s infrastructure.

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