Category:

Transit

April 2017 marks fifty years since the
Museum received its charter from the New
York State Department of Education Board of
Regents. Over that fifty years the Museum has
grown dramatically, collecting artifacts and
works of art documenting the rise of New York
as a port city.; developing and implementing
innovative and award-winning programming;
mounting exhibitions; and preserving a fleet of
historic ships on the East River. Despite three
massive setbacks: the 9/11 attacks, the Great
Recession of 2008, and the floodwaters of hurri-
cane Sandy, the museum is growing once again.
With support from New York City and a dedi-
cated group of staff, volunteers, members and
friends, the Seaport Museum remains an edu-
cational and cultural gem in lower Manhattan.
The Seaport Museum’s 50th anniversary will
be marked throughout the year with the open-
ing of new exhibitions, including Millions:
Migrants and Millionaires aboard the Great
Liners, 1900-1914 (opening June 2017), artistic
and musical performances, lectures and book
talks, walking tours, and a formal 50th anni-
versary cocktail reception aboard the 1885 ship
Wavertree in September. #

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Island Historical Tour (North)

Thursday, September 7, 2017

6:00 p.m.7:30 p.m.

This event repeats on the 1st Thursday of every 2 months between 5/4/2017 and 9/7/2017.

Did you know that the Randall’s Island was once three separate land masses? The island has a rich and unique history. Come learn more about the influential people, the bridges, and the landscape changes that transformed the Randall’s Island into the beautiful park it is today!

Location

Randall’s Island Connector in Randall’s Island Park
Manhattan

Directions to this location

Cost

Free

Event Organizer

Randall’s Island

Contact Number

(212) 860-1899

Contact Email

info@randallsisland.org

Categories

Education, Nature, History, Tours, Waterfront

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Date

Sep 6, 2017 • 7:00 PM – 9:00 PM

Cost

FREE and OPEN TO THE PUBLIC!

Location

Gallery at BRIC House

647 Fulton Street
(Enter on Rockwell Place)
Brooklyn, NY 11217

United States
Get Directions

Sergio Purtell, courtesy of the artist and Art 3 Gallery, Brooklyn

JOIN US FOR THE OPENING RECEPTION!

EXHIBITION ON VIEW: September 7 – October 29, 2017

CURATED BY: Elizabeth Ferrer

 

Brooklyn Photographs brings together the work of 11 photographers who have turned their lens on the Brooklyn experience from the late 1960s to the present.  Each of these photographers will present a body of work on a specific theme – childhood in Williamsburg in the 1960s, Halloween in the 1970s, or Bushwick street life in the 1980s, to name a few.  More recent work from the last decade will explore such subjects as the rapidly gentrifying post-industrial landscape, Brooklyn artists, and the microcosm of street life visible near BRIC’s facility at the intersection of Fulton and Flatbush.  In sum, the exhibition will illuminate the important role that photography has had in preserving aspects of Brooklyn’s neighborhoods and traditions, and in documenting the extraordinary cultural and social diversity that is a hallmark of the borough.  It will also reflect the borough as a site of continual change. Neighborhoods transform and new populations emerge, while the essence of Brooklyn’s humanity remains. The exhibition will be accompanied by a catalogue and by public programs.

Photographers include: Yolanda Andrade, Stefanie Apple, Nelson Bakerman, Leigh Davis, Max Kozloff, George Malave, Meryl Meisler, Patrick D. Pagnano, Sergio Purtell, Larry Racioppo, and Russell Frederick .

READ ABOUT THE EXHIBITION IN THE NEW YORK TIMES LENS BLOG >>

Special thanks to Duggal Visual Solutions, Griffin Editions, and Pranayama Art for their services in relation to this exhibition.

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Thu 08 2017 , by

Bygone Stables

From The New York Post:

The fascinating history behind NYC’s stables-turned-real estate

Washington Mews, a little alley north of Washington Square Park, is an urban gem. Still paved with Belgian block and lined with quaint cottages, it’s a Greenwich Village street that might as well be in Europe. In fact, cities like London and Paris are filled with these tiny picturesque thoroughfares, whose cute little homes once stabled horses, carriages and sleighs.

Due to quirks in New York’s history and design, these mews are exceedingly rare in the city, making carriage-house living both scarce and coveted. Often disguised behind modest, original facades, many converted carriage homes contain architectural wonders hidden from view.

Modal Trigger
Washington Mews: One of Manhattan’s rare alleys lined with former stables, this stretch was designed to service a row of 1830s homes along Washington Square Park.Annie Wermiel/NY Post

Take investor David Aldea’s home at 23 Cornelia St., which Taylor Swift rented in 2016. The 5,500-square-foot West Village pad was asking $40,000/month then, and is on the market with Corcoran for $24.5 million. Walking down the street, the home’s massive, arched wooden doors hint at its 1912 carriage house origins, but the unprepossessing facade might not stop passersby in their tracks.

Upon entering, however, it’s clear this is no ordinary stable: today, the garden level is graced by a 25-foot swimming pool, while an ornate Murano glass chandelier hangs from double-height ceilings. But, as Aldea notes, despite these modern touches, original details abound, particularly in the living room, where there are “24-inch square windows that would have been for the horses to stick their heads out for ventilation.”

Considering the fact that New York was a horse-and-carriage town for so many centuries, it’s surprising that there aren’t more such conversions. That’s in part because most remnants of the city’s colonial days are long gone. Also, Manhattan’s populated areas used to be far more compact; their borders barely extended north of today’s City Hall until the 1820s. The majority of New Yorkers, it seems, walked almost everywhere nearly two centuries ago.

A new street layout in the first decades of the 19th century helped the city expand, and travel by private carriage became more common — but only for the city’s elite. So few New Yorkers could afford to maintain a horse that when a commission laid out the city’s famous grid in 1811, the plan purposely excluded rear alleys for stables. Even by the Civil War, a mere 3 percent of NYC residents owned their own horses and carriages.

Modal Trigger
Annie Wermiel/NY Post

A few early mews still exist. Take Washington Mews, which was erected behind the stately homes of “The Row,” one of New York’s first planned “terraces” of homes — a clear sign that the 1832-built Washington Square townhouses were only for the well-heeled.

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In: 19th Century , Architecture , Art and Music , Civil War , Colonial Period , Native American , Transit , Visual Documentation , World War I | Tags:  , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Through the month of August, Ace Hotel will display key objects from our permanent collection in their Gallery Annex. See relics of New York, including terracotta fragments of landmark skyscrapers, geological specimens from the 2nd Avenue Subway, an artifact from one of the last surviving coal-fired pizza ovens in NYC, and cultural ephemera spanning from Coney Island to the Bronx.

Join us for complimentary wine and a live DJ set at 7 PM tomorrow, August 2 as we kick off this exciting new off-site exhibition! RSVP with Ace is suggested but not required.

Ace Hotel is located at 20 W29th St. in Manhattan.…

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Don’t know how “Jazz Age” or Burlesque the actual performance is, but McKitterick Hotel is itself from a bygone era, and there’s the “1930s train car”. A Gilt City discount voucher for the current performances is available:

Activities & Events Chelsea
Whether you’re dining in the 1930s train car, on the twinkling rooftop garden, or jumping straight into the infamous “Sleep No More” performance, you’re sure to expect a night unlike any other.
About the performance:

Described as “thrilling, mind-bending… [u]nlike anything you’ve ever seen,” by the New York Post, “Sleep No More” has been delighting New York audiences since 2011. The interactive play, produced by Emursive and award-winning London theater company Punchdrunk, presents a loose adaptation of Shakespeare’s “Macbeth” through a film noir lens. Set at the fictional McKittrick Hotel (a former industrial space in West Chelsea), the experience begins in the Manderley Bar, where audience members are given masks and instructed to remain silent throughout the show. From there, they’re transported via elevator to one of the hotel’s five floors and let loose for the next few hours.

Wander through a cemetery, insane asylum and doctor’s office or follow an actor from scene to scene, taking in interpretive pantomime and dance sequences. Since you choose your own path through the story, your experience will be entirely unique. There’s no way of telling just what may happen.

What we love

  • Esteemed chefs Lee Hanson and Riad Nasr (Balthazar, Minetta Tavern) have taken over the McKittrick Hotel for the summer with the “Club Car,” a one-of-a-kind dining experience.
  • Seated inside a 1930s style train car-turned-restaurant, you’ll enjoy a surf-and-turf prix fixe menu that boasts flavors from old French and New York steakhouses with seafood inspirations from New Orleans.
  • Start off with doughy Parker House rolls and crudités before the main event of the dinner: a dry-age boneless rib-eye topped. The “surf” part of the meal changes daily and can range from scallops with romesco butter to soft shell crab.
  • Finish the decadent meal with a citrusy lemon chiffon cake or chocolate caramel tart and take in the dimly lit ambiance.

What to know

  • Redeem by Thu 08/31/17
  • Offer is final sale and non-refundable
  • Must be 21+ to consume alcohol; valid government ID required
  • Valid Thursday – Saturday
  • To view menu, please click here
  • Reservations are required and subject to availability; please book in advance of desired date
  • Gratuity is not included; we recommend tipping on the full value of service(s)
  • Tax is not included and will be charged upon redemption
  • Vouchers cannot be combined for multiple services
  • Offer cannot be combined with any other discounts or promotions
  • Voucher may be used to obtain the discount until August 31, 2017; after this date, the voucher is valid for the amount paid for five years from date of purchase, longer if provided by law
  • Photo credits: Jenny Anderson (Slides 1 and 4), DrielyS (Slide 2), Conor Harrigan (Slides 3 and 5) and Giafrese (Slide 6)

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Vanishing New York, the book, was officially released this past Tuesday, after having been available for pre-order. However, assorted independent book shops in the New York area are scheduling book-launch events at their individual locations.

From Vanishing New York, the blog:

You can also get a copy at the launch party this Thursday night at Housing Works Bookstore Cafe, or next Thursday night at the Brooklyn launch party at powerHouse Arena. For a full list of book events, click here.

In the meantime, check out two exclusive excerpts: the East Village chapter at Longreads and the tourism chapter at Vice.

 …

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From Hyperallergic:


Aerial view up the East River (May 27, 1960, photo by Theodore V. Donaldson)
Aerial view up the East River (May 27, 1960, photo by Theodore V. Donaldson) (all images courtesy NYC Municipal Archives)

The Brooklyn waterfront is radically changing. The Domino Sugar Factory in Williamsburg is transforming into residential and commercial space, both inside its hollowed-out brick building and outside with new glassy high-rises. Towers are pending for long-quiet Greenpoint. And Brooklyn Bridge Park is altering the former industrial area of Dumbo and Brooklyn Heights with green space and, naturally, condos. It’s from the perspective of that park that the NYC Municipal Archives examined the East River shore’s long history of change.

A Century on the Brooklyn Waterfront was one of the shipping container exhibitions at Photoville, held earlier this month in the Pier 5 Uplands in Brooklyn Bridge Park. Curated by Public Records Officer Quinn Berkman and Paper and Archival Conservator Cynthia Brenwall, the exhibition drew on the NYC Municipal Archives’ 221,000 cubic feet of material, particularly its collections on the WPA Federal Writers’ and Art projects (1935–43) and the Department of Bridges (1901–39).

“The ability to appreciate what parks were before they were public recreational areas is important, and the Brooklyn Bridge Park is so relevant because the transformation is so recent,” Berkman told Hyperallergic. Many of the photographs were printed from glass plate negatives, and date from between 1870 and 1974, revealing the rise of the Brooklyn Bridge, and the concentration of maritime commercial activity on the Brooklyn piers long before they were replaced with parks.

View of Lower Manhattan from the Brooklyn Tower of the Brooklyn Bridge (1890)
View of Lower Manhattan from the Brooklyn Tower of the Brooklyn Bridge (1890) (click to enlarge)

“I think it is important to remember that Brooklyn was the heart of the city’s import business,” Berkman explained. “What is now seen as real estate opportunity was once used purely for the ports and trade industry.” It was only in the 1970s that the area was designated as a landmarked neighborhood and the repurposing of warehouses began. “It’s pretty incredible because once the Brooklyn Bridge opened, this part of Brooklyn was considered Manhattan’s first suburb, however by the 60s it cycled back into an industrial zone and now it is back to being a residential neighborhood,” she added.

The NYC Municipal Archives has recently been making more of its photographs accessible online, from the documentation of the NYPD’s “Alien Squad,” which monitored potentially subversive political groups in the 1930s and ’40s, to the around 30,000 crime photographs from 1914 to 1975 released earlier this year. As the photographs were taken for municipal government use — during the construction of the Brooklyn-Queens Expressway or the renovation of the Brooklyn Piers, for instance — some of the creators’ names are now lost. In addition to their original purposes, they now form an essential record of the city’s changing character.

“These photographs are not just ‘iconic’ images of old NYC, they are used to understand and preserve the history of the city,” Berkman said. “Photography is one of the best mediums to use to tell a story and send a message, which is also why it has just as complex of a history as New York does.”

View of the Manhattan Bridge from Jay and York Streets (January 4, 1912, photo by Eugene de Salignac)
View of the Manhattan Bridge from Jay and York Streets (January 4, 1912, photo by Eugene de Salignac)
Aerial view of the Brooklyn-Queens Expressway and Atlantic Avenue (September 19, 1956)
Aerial view of the Brooklyn-Queens Expressway and Atlantic Avenue (September 19, 1956)
Aerial view taken above Atlantic Avenue and the Brooklyn-Queens Expressway. 1 Brooklyn Bridge Park was once home to the New York Dock Company. (September 19, 1956) (photo by Theodore V. Donaldson)
Aerial view taken above Atlantic Avenue and the Brooklyn-Queens Expressway.

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Officially releasing on July 15th, the book Secret Brooklyn: An Unusual Guide is written and photographed by Untapped Cities founder Michelle Young and co-founder Augustin Pasquet. To celebrate, we’ll be hosting a launch party for the book on Thursday, July 13th at the Brooklyn Superhero Supply Co., one of the 100+ amazing places in this book.

The party is produced in partnership with the website Brokelyn and will feature a presentation by Michelle and Augustin about their favorite spots and the process of making this book. Refreshments will be served and there will be opportunity to purchase books, get them autographed and meet the authors.

Entry is free, but RSVP is required:

Book Now

Can’t make the event? Purchase the book on Amazon here: http://amzn.to/2tVS4r9

Here’s a little preview of what’s inside:

Discover secret museums, go on an urban safari for wild parrots, locate a landmarked tree, enter the oldest building in New York City, watch a performance of robots in a church, stand tall next to hobbit doors on an otherwise normal residential street, learn how to breathe fire, swallow swords, hammer a nail into your skull and charm a snake, touch the oldest subway tunnel in the world and the world’s smallest Torah, forage for food in Prospect Park, taste wine atop the world’s first commercial rooftop vineyard, step inside a grocery store frozen in 1939, take in a basketball game inside a historic movie theater.

Brooklyn offers countless opportunities to step off the beaten path and is home to any number of well-hidden treasures that are revealed only to residents and travelers who are ready to explore. Secret Brooklyn An Unusual Guide is an indispensable guide for those who think they already know Brooklyn or would like to discover its hidden places, taking you far from the crowds and the usual clichés.

 Brooklyn Superhero Supply Co., Secret Brooklyn: An Unusual Guid

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This documentary travelogue of New York City was made by a team of cameramen with the Swedish company Svenska Biografteatern, who were sent around the world to make pictures of well-known places. (They also filmed at Niagara Falls and in Paris, Monte Carlo, and Venice, although New York 1911 is the only selection in the Museum’s collection.) Opening and closing with shots of the Statue of Liberty, the film also includes New York Harbor; Battery Park and the John Ericsson statue; the elevated railways at Bowery and Worth Streets; Broadway sights like Grace Church and Mark Cross; the Flatiron Building on Fifth Avenue; and Madison Avenue. Produced only three years before the outbreak of World War I, the everyday life of the city recorded here—street traffic, people going about their business—has a casual, almost pastoral quality that differs from the modernist perspective of later city-symphony films like Paul Strand and Charles Sheeler’s Manhatta (1921). Take note of the surprising and remarkably timeless expression of boredom exhibited by a young girl filmed as she was chauffeured down Fifth Avenue in the front seat of a convertible limousine.

MoMA’s restoration of New York 1911 is derived from the original nitrate print of the film.

New York 1911. 1911. Sweden. Produced by Svenska Biografteatern. Silent, with music by Ben Model. 9 min.

This presentation is part of an ongoing series that makes film and video works from MoMA’s collection available online.

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